The Stranger (Billy Joel)

NAME/ORIGIN

Character name
 The Stranger
Song/Album
 "The Stranger"/The Stranger
Act
 Billy Joel
Writer
 Billy Joel
Release Date
 1977


ABILITIES

Powers
-Is invisible (without his masks, aka "faces")
"You never saw The Stranger"
-Can make others unrecognizable to you
"I came home to a woman who I did not recognize... I felt The Stranger"
Skills
Martial arts
"I felt The Stranger kick me right between the eyes"
Attributes
- Is enigmatic
"You may never understand how The Stranger is inspired"
-Is somewhat a pyromaniac
"You will never quench  the fire"
Vulnerabilities
 Self-doubt, self-delusion
Formidability
 Moderate
Attractiveness
-Highly persuasive
"You'll give in to your desire once The Stranger comes along,"
Source
 N/A
Goals
 Reveal one's inner self through the use of masks


POSSESSIONS

Weapons
 N/A
Amulets
-Masks, aka "faces," that Strangers and humans can wear
"Some are satin, some are steel, some are silk, and some are leather/
They're the faces of a Stranger"
These "faces" can become invisible: "We all have a face that we hide away"
Objects
 N/A
Clothing
 N/A, aside from the masks
Vehicles
 N/A
Dwelling
 see Notes
Milieu
 see Notes


BIOGRAPHY

Gender
 Male
Age
 N/A
Physique
 is formless
Ethnicity
 N/A, is likely a spirit of some sort
Origin
 is likely as old as humanity
Ancestry
 is the progenitor of others (speculative)
Profession
 N/A
Education
 N/A
SES
 N/A
Relationships
 see Notes
Pets
 N/A


PERSONALITY

Morality
 Flexible: "He is not always evil"
Intro/extrovert
 Extrovert
Intelligence
 Variable: "He is not always wrong"
Emotions
 unknown. Seems more concerned with others' emotions
Sanity
 Sane
Enemies
 N/A


Narrative Function
 Catalyst
Other Notes
 Each one of us has a Stranger within ("Did you ever let your lover see the Stranger in yourself?"). He seems oddly named, for he represents one's true self. However, to live in society, one must subvert one's own self to such a degree that that self becomes a "stranger" to each of us.
Enter The Stranger (not just any Stranger but "the" primary one). This entity is free-standing, yet connects with the Stranger in each of us. To do this, The Stranger-- a formless, invisible entity-- wears masks it calls "faces" that allow us to see him. Then he offers us each a selection of these faces, and we take one we feel suits us, because it best fits (literally and figuratively) our own personal Stranger. We tend to only wear this mask-- the face of our true selves-- when we are alone.
But when we surprise someone, we may catch them wearing their face, i.e. revealing their true selves. This happens in the song; a man comes home and sees his wife wearing her face. So he does not recognize her. He is so focused on this, The Stranger-- not wearing a face and therefore invisible-- kicks the man in the head without the man seeing the foot coming. Why was she doing this (being her true self)? Well, The Stranger had "come along," so she had to "give in to [her] desire."
The man asks himself why he was surprised; after all, he has a secret face, so why shouldn't she? ("You've done it, why can't someone else?") Still, we tend to forget that others have Strangers inside as well, which is the "danger" that we "disregard" when we "fall in love." No matter how many secrets we "share," there are "some we never tell." Like our own Stranger.


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